Saturday 31 March 2012

Sanggar Wayang

Sanggar is a non-formal traditional learning institution. Sanggars are mostly owned and managed by individuals. At a sanggar, educations to create professions such as dancers, gamelan players, traditional singers, and puppeteers are conducted.. There are also a number of sanggars which produce wayangs (puppets) and other handicrafts;also as parts of their business they offer services such as rentals of gamelan instruments a complete set of wayang for full or partial performances, tents, tables and chairs for events organized by public or individuals.

Instructors in a sanggar sometimes is the owner of sanggar besides recruiting from outsides who are qualified for certain positions.

The length of study is not limited by certain period of time, but depending on how students of sanggars have achieved some level of ability.

Here are listed below a number sanggars which provide teaching services to be gamelan players and puppeteers, also rentals a number of equipments for events relating to wayang performances, traditional dances etc.


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Tuesday 27 March 2012

Translation of the Dialogue in the fragment of Gathutkaca - the Foremost Knight

Gathutkaca: 
 “Oh the air is so fragrant with the scents of you, all the fantastically beautiful look of diamond, ruby has melted into you. My darling Pergiwa, my wife, I am aware that you always support your husband, you know what is best for me”.


Pergiwa: 
“Yes darling, I am always ready to do anything for you”

Gathutkaca: 
 “I wish you to pray for me, I want to go to Amarta, to join my family there, to make the atmosphere/situation of that country and ours better, and the people of Amarta and Pringgadani could be more and more prosperous”.

Pergiwa: 
 “Yes my husband, you are always in my heart and I’ll always do anything as you wish.”

Gathutkaca is then leaving Pergiwa for Amarta State by flying swiftly. On his way Gathuckaca meets with Boma Narakasura of Trajutrisna.

Boma: 
 “My handsome brother Gatutkaca, why are you leaving for Amarta, what for ?”.

Gathutkaca: 
 “Brother Boma, you know that I want to join Amarta to support them in order to make the Amarta State be in a better condition and also assist in creating a better world order”.

Boma: 
“No brother, if you join them, the result will be bad”

Gathutkaca: 
“No brother, I am determined to join them and I am certain I can manage to achieve the welfare and happy life of the people”.

Boma: 
“No brother, if you’ll carry on, I will prevent you”.

Gathutkaca: 
“If you do, I’ll challenge”

Boma: 
“I will catch and arrest you”.

The fighting is unavoidable. Boma is of the view that if Gathutkaca fails to go to Amarta, Amarta will not be that strong. In the middle of the fighting, there comes Kresna to halt them and gives them enlightenment

Kresna: 
 “Hi Boma and Gathutkaca, stop fighting, please”

Boma: 
“Please do not stop and separate us, Father”

Kresna: 
“It is not good, between brothers to fight. You both can unite and join each-other in order to make the people happy."

The End

Exchange of Performances Among APA Member Countries


In line with one of the decisions taken at the First Meeting of ASEAN Puppetry Association (APA) in Palembang, South Sumatera-Indonesia, 5-7 September 2007 was Exchange of performances among APA Member countries. This decisison was further discussed at the Second Meeting of APA in Yogyakarta, Indonesia on 12-13 December 2008 for possible implementation. 

At that Meeting the delegate of Brunei Darussalam again expressed his willingness to have performance of Indonesian Wayang as an introduction. This Brunei Darussalam’s gesture was reconfirmed at the Second Meeting of APA in Yogyakarta. In response to this gesture, Indonesia had sent special representatives to Brunei Darussalam consisiting of Mr. Suparmin Sunjoyo-Head of International Relations of SENA WANGI cum APA Diretor of Program, Mrs. Didy Indriani - an expert in Wayang Menak (a puppet play having Islamic flavour) and Mr. Sumari, official of Wayang Data Centre of SENA WANGI to discuss and elaborate further on this agreed plan. 

The three-officials of Indonesian delegation paid a working visit to Brunei Darussalam, and accompanied by  the Indonesian Ambassador to Brunei Darusalam H.E. Mr. Herijanto Soeprapto were honoured of being received by the Minister for Culture, Youth and Sports of Brunei Darussalam: His Exllency Pehin Orang Kaya Setia Pahlawan Dato Seri Setia Dr. Awang Haji Ahmad bin Haji Jumat on 29 June 2009 in his office in Bandar Seri Begawan. On that occasion the Indonesian delegation among others stated that the purpose of the visit was to introduce Indonesian wayang. This activity to be implemented not only to strengthen the good bilateral relations between Indonesia and Brunei Darussalam, but also in the framework of ASEAN cooperation particularly Exchange of Performances Among APA Member Countries—exchanging and introducing each others’ art & culture. The Indonesian delegation also highlighted the establishment of ASEAN Puppetry Association (APA) in 2006 where Brunei Darussalam also sent its delegate, also attended the First Meeting of APA in Palembang (2007) and the second Meeting in Yogyakarta (2008). 

The Minister of Culture, Youth and Sports of Brunei Darussalam welcomed the offer of Indonesia to perform its wayang. The Minister stated further that wayang has a lot of noble values, teachings and heroism that need to be communicated to younger generation. 

Indonesian delegation expressed its readiness to send its wayang Menak to perform stories which are in line with the State ideology or philosophy of Brunei Darussalam namely MIB, Melayu-Islam-Beraja. 

In response, the Minister of Culture, Youth and Sport of Brunei Darussalam stated that Indonesia was rich in  varieties of wayang which content good guidance, moral teaching, heroism etc useful for all, particularly for young generation. 

Indonesia is presently awaiting the right time indicated by Brunei Darussalam for the said performance. 

During the scheduled visit of the Indonesian Wayang Menak, it is also planned to continue discussing the project of writing a book on ASEAN Puppetry which has been reaching its second year conducted by delegates of Malaysia (as Coordinator), Singapore, Indonesia and Philippines preparing the draft to be presented to all APA member countries.